ANNOUNCEMENT

JOB VACANCIES

PHILIPPINE CONSULATE GENERAL, FRANKFURT AM MAIN

 

The Philippine Consulate General in Frankfurt am Main is scheduled to reopen in the third or fourth quarter of 2018. In this regard, applications are invited for the following local hire (contractual) positions:

TRANSLATOR / INTERPRETER

Minimum Qualifications:

• German citizenship/residency;
• University/college degree, preferably in translation studies/linguistics or related discipline;
• English proficiency, as shown by IELTS/TOEFL or related certificate;
• Relevant work experience an advantage.

DRIVER

Minimum Qualifications:

• German citizenship/residency;
• Possession of German driver’s license;
• At least 2 years of recent professional driving experience, preferably in Frankfurt a.M./Hessen.

Applicants are requested to send their Curriculum Vitae with cover letter and photocopy of their passport data page by post to the Philippine Embassy, Kurfürstendamm 194, 10707 Berlin (Attn: Secretariat) or by e-mail to info@philippine-embassy.de (cc: makropp@philippine-embassy.de) (Code: Frankfurt PCG).

Further requirements/documents may be requested from shortlisted applicants

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ANKÜNDIGUNG

FREIE STELLEN

PHILIPPINISCHES GENERALKONSULAT, FRANKFURT AM MAIN

Das Philippinische Generalkonsulat in Frankfurt am Main soll im dritten oder vierten Quartal 2018 wieder geöffnet werden. In diesem Zusammenhang laden wir interessierte Bewerber dazu ein, sich auf die folgenden Stellen für Ortskräfte zu bewerben:

 

ÜBERSETZER / DOLMETSCHER

Mindestvoraussetzungen:

• Deutsche Staatsbürgerschaft/Aufenthaltsgenehmigung;
• Universitätsabschluss, vorzugsweise als Übersetzer/Sprachwissenschaftler oder in einer verwandten Disziplin;
• Sehr gute Englischkenntnisse, nachgewiesen z. B. durch ein IELTS/TOEFL oder ähnliches Zertifikat;
• Relevante Berufserfahrung ist von Vorteil

 

FAHRER

Mindestvoraussetzungen:

• Deutsche Staatsbürgerschaft/Aufenthaltsgenehmigung;
• Deutscher Führerschein;
• Mindestens zwei Jahre Erfahrung als Berufskraftfahrer in der jüngeren Vergangenheit, vorzugsweise in Frankfurt a.M./Hessen

 

Bewerber sollten ihren Lebenslauf mit Motivationsschreiben und Kopie der Datenseite ihres Reisepasses per Post an die Botschaft der Philippinen, Kurfürstendamm 194, 10707 Berlin (z. Hd. Sekretariat) oder per E-Mail an info@philippine-embassy.de (cc: makropp@philippine-embassy.de) schicken (Code: Frankfurt PCG).

Bewerber, die in die engere Auswahl gekommen sind, werden möglicherweise um weitere Dokumente gebeten.

Virlanie Voices, led by its Musical Director Ma. Lourdes Hermo, presented two benefit concerts in Spellen, Germany on 4 and  5 May 2018. Tourism Attache Margarita Valdes, who represented the Philippine Embassy in one of the concerts, said that the choir left its German audience in awe with a wide repertoire of Filipino, Latin, and English pieces. Clad in their traditional Philippine attire, the group performed folk songs which included Waray-Waray, Ili-ili tulog anay, Rosa Pandan, Tilibum and Ollonno.  The choir also regaled their audiences with popular tunes like Somewhere over the Rainbow and Tagumpay Nating Lahat .

Virlanie Voices is the official choir of the Virlanie Foundation, a non-government organization that engages in the welfare of street children. The 28-member children´s choir is currently on its 4th European Concert Tour covering Switzerland, France, Belgium and Germany.  END

 

Berlin – Arndt Art Agency, a staunch supporter of Philippine contemporary art, opened “No Exit” on 21 March 2018 featuring commissioned works by Philippine visual artist Kaloy Sanchez.  The vernissage was attended by around 100 of the gallery´s patrons, including officials of the Philippine Embassy led by Chargé d’Affaires Lillibeth V. Pono.

After the exhibit, the Embassy sat down with the artist to pick his thoughts about the show and his first visit to Berlin.

Could you explain your show ‘No Exit’ to us in a way that wouldn’t give us a nosebleed?

“No Exit” started as an homage to Jean-Paul Sartre’s existential play of the same title. Sartre’s mundane depiction of Hell as an eternal confinement in a room with two other souls, inescapable to each other’s gaze and objectification, was paralleled to my practice in the studio with my sitters/models, letting them be in their candid selves, as I deduce their form into lines and shapes, and in the end coming up with a body of work that not only shows an objectified study of the human form but also an introspection of the self, others, and the human condition.

This was your first visit to Berlin. What was your impression of the local art scene?

 

I have always dreamt of going to Berlin, and my first impression was, if not more, how I imagined it to be, vibrant and thriving, and I think Berlin has the most critical audience of art around.

While you were in town, you met a German artist you admire. Tell us about that.

I had an opportunity to visit König Galerie with Matthias Arndt to see Monica Bonvicini’s sculptural pieces among others, and while I was there I was introduced to Anselm Kiefer by Johann König, at first I wasn’t fully aware of my good fortune, I guess because of the amount of works that I have to digest, but as the reality of the situation hit me, I soon found myself speechless like anyone who has been awed and star-struck, trying to hide the excitement off my face. (I own a book about this guy! And it’s one of my favorites.) Although O wasn’t able to talk to him longer than the opportunity allowed, I consider that chance encounter as one of the highlights of my trip to Berlin, as he is one of those artists that I look up to.

 

Kaloy Sanchez was born 1982 in the Philippines. He studied at the University of Philippines, Diliman and holds a BFA, Major in Studio Arts. Recent solo exhibitions of the artist include “Oh the Unspeakable Things”, at ARNDT Singapore, Singapore (2014), “Nausea”, at West Gallery, Quezon City, Philippines (2013) and “Ring Around the Rosie”, Manila Contemporary, Makati City, Philippines (2012). He has also participated in numerous group shows such as “Manila: The Night is Restless, The Day is Scornful”, ARNDT Singapore, (2014), “Secret Rooms & Hidden Motives by Jason Montinola and Kaloy Sanchez”, Valentine Willie Fine Art, Kuala Lumpur, Malaysia (2012) and “Imagining Identity: 100 Filipino Self Portraits”, Finale Art File, Makati City, Philippines (2012).

“No Exit” is open to the public until 20 April 2018 at the Arndt Art Agency in Faßanenstraße 28, 10719 Berlin. END